Explorations of Childhood Gender-Fluidity and the Subversion of Masculinity in Peter Pan

Search for this publication on Google Scholar
Weber, R. (2018). Explorations of Childhood Gender-Fluidity and the Subversion of Masculinity in Peter Pan. Unc Charlotte Electronic Theses And Dissertations.
Download PDF

Analytics

1034 views ◎
872 downloads ⇓


Abstract

In declaring Peter Pan as the only child who will not grow up, J.M. Barrie has developed a character with an unmatched capacity for subverting masculine forms of normalization, social acceptance, and gender appropriation. Through Peter’s consistent power through performativity as well as J.M. Barrie’s own depictions of the adult male, Peter Pan demonstrates a succinct critique of the male at the dawn of the twentieth century. This thesis explores how Peter Pan subverts concepts of cultural construction, the performance of childhood gender, and the progress of maturation from the gender- fluid child to the fully gendered adult. The systems of power which seek to normalize a child’s gender manifest through masculine institutions – namely marriage, family, church, education, and the financial system – and force the abandonment of childhood and the acceptance of normative gender. Peter Pan, as eternal child and innate fantasy, holds singular agency over this process of maturation and is able to playfully perform his way out of heteronormative maturation. J.M. Barrie presents two ideas of death in the novel: a passage from childhood to adulthood, and physical death. Mr. Darling, espousing the masculine institutions of marriage, family, and economy, illustrates an imprisonment of the male to the first death, each child is destined to pass away into a man. Captain Hook symbolically represents the institutions of the church and education system, and tries to usher Peter’s demise, yet meets his own physical doom. Peter, however, continues to show mastery of performance and gender-fluidity as eternal youth.

Details
Author

Weber, Ryan

Title

Explorations of Childhood Gender-Fluidity and the Subversion of Masculinity in Peter Pan

Physical Description

1 online resource (95 pages) : PDF

Date

2018

Degree Granting Institution

University of North Carolina at Charlotte

Abstract

In declaring Peter Pan as the only child who will not grow up, J.M. Barrie has developed a character with an unmatched capacity for subverting masculine forms of normalization, social acceptance, and gender appropriation. Through Peter’s consistent power through performativity as well as J.M. Barrie’s own depictions of the adult male, Peter Pan demonstrates a succinct critique of the male at the dawn of the twentieth century. This thesis explores how Peter Pan subverts concepts of cultural construction, the performance of childhood gender, and the progress of maturation from the gender- fluid child to the fully gendered adult. The systems of power which seek to normalize a child’s gender manifest through masculine institutions – namely marriage, family, church, education, and the financial system – and force the abandonment of childhood and the acceptance of normative gender. Peter Pan, as eternal child and innate fantasy, holds singular agency over this process of maturation and is able to playfully perform his way out of heteronormative maturation. J.M. Barrie presents two ideas of death in the novel: a passage from childhood to adulthood, and physical death. Mr. Darling, espousing the masculine institutions of marriage, family, and economy, illustrates an imprisonment of the male to the first death, each child is destined to pass away into a man. Captain Hook symbolically represents the institutions of the church and education system, and tries to usher Peter’s demise, yet meets his own physical doom. Peter, however, continues to show mastery of performance and gender-fluidity as eternal youth.

Genre

masters theses

Subjects--Topics

Literature
English literature
Sex role

Degree

M.A.

Keywords

Gender
Heteronormativity
J.M. Barrie
Masculinity
Performativity
Peter Pan

Subject Area

English

Advisor(s)

West, Mark

Committee Members

Basu, Balaka
Gargano, Elizabeth

Degree Note

Thesis (M.A.)--University of North Carolina at Charlotte, 2018.

Rights Statement

This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). For additional information, see http://rightsstatements.org/page/InC/1.0/.

Rights Holder Information

Copyright is held by the author unless otherwise indicated.

Identifier

Weber_uncc_0694N_11740

Permalink

http://hdl.handle.net/20.500.13093/etd:54